The Glyphs Handbook describes the app in detail. For step-by-step guides, see the Glyphs tutorials. If you have any further questions, feel free to ask them on the Glyphs Forum.
Introduction to the Glyphs Handbook.
Getting started with a font in Glyphs.
Configuring the appearance, behavior, shortcuts, and more.
Drawing glyphs, editing outlines, and previewing text.
Contextual information and actions for the current selection.
Getting an overview of the glyphs of the font.
Editing metadata, masters, instances, and features.
Managing source files and exporting fonts for distribution.
Defining the spacing around and between glyphs.
Working with components.
Managing multiple masters and creating variable fonts.
Applying effects and transforming outlines.
Using the extended feature code capabilities of Glyphs.
Improving PostScript/CFF/OTF fonts for small font sizes.
Improving TrueType/TTF fonts for small font sizes.
Creating bitmap and vector fonts with intrinsic colors.
Adding plug-ins and scripts for extended capabilities.
Additional references and indices of built-in features.
Written by Rainer Erich Scheichelbauer, Georg Seifert, and Florian Pircher.
Thanks to Nathalie Dumont, Jeff Kellem, Rob Keller, Toshi Omagari, Claus Eggers Sørensen, and Grzegorz Rolek for their invaluable input.
The text face is ABC Arizona, designed by Elias Hanzer for Dinamo. This is a variable font ranging from thin to bold, sans serif to serif, and upright to italic.
The illustrations use glyphs of the following typefaces: ABC Arizona; Alegreya, Alegreya Sans, & Piazzolla by Juan Pablo del Peral/Huerta Tipográfica; Apple Color Emoji by Apple; Cerne by Peter S. Baker; Cormorant by Christian Thalmann/Catharsis Fonts; Graublau Sans & Graublau Slab by Georg Seifert; Hola Pixel by Rainer Erich Scheichelbauer/Schriftlabor; Lapture by Tim Ahrens/Just Another Foundry; Liebe Heide by Ulrike Rausch/LiebeFonts; Literata by Veronika Burian & José Scaglione/TypeTogether; Lyon Arabic by Khajag Apelian, Wael Morcos, & Kai Bernau/Commercial Type; Mada by Khaled Hosny/Alif Type; Proxima Vara by Mark Simonson; Rasa by Anna Giedrys & David Brezina/Rosetta Type; Sapperlot by Thomas Maier; and Work Sans by Wei Huang.